The aluminium Alta Pro 263T can safely support professional setups weighing up to 7kg, and extends to a top working height of 165cm, making it well-suited for landscape shooting as well as macro. With a Multi-Angle Central Column (MACC) System that allows users to shoot from zero to 180 degrees in variable vertical and horizontal positions, the Vanguard Alta Pro 263T is a great tripod choice for macro shooters who want stability for low-level shooting. Any review of the Wimberley Plamp should include its weaknesses too and I only know of two shortcomings. The first weakness is that the plamp is quite stiff when you first get one. This makes it challenging to make very minute changes in its exact position. With individually adjustable reflectors and a clip-on diffuser, this shoot-through ring flash allows you to take total control of the lighting in your macro images. It can be attached to the front of virtually any lens with one of the six filter thread adaptors that come in-box. This flash could also be used for portrait photography, where it gives subjects’ eyes distinctive and attractive donut-shaped catchlights. TTL-compatible and with a modelling light built in, this fully featured device can turn a great macro image into a stunning one.

plamp Urban Dictionary: plamp

Your problem is that you're too far from civilization. If you were in the Detroit area, you could pop into one of dozens of Grainger, McMaster Carr, or Production Tool locations to play with the Loc-Line, try before you buy. If you need more reach (e.g. if you are using a 180mm or 200mm macro lens), you have three options. The first option is to attach the Plamp to an object other than your own tripod. The second option is to extend one of the legs of your tripod toward your subject and then attach the PLamp further down the leg of your tripod and thus closer to your subject. The third option is to extend the length of your Plamp by adding extra links to its arm. The trade-off to adding extra length to your Plamp is that it becomes less rigid.

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a meme word referring to the vibes of a DJ livestream ascertaining to the presence of PLants + lava lAMPs, a noticeable recurring theme for online DJ sets. The plamp's large clamp can be attached to essentially anything that will fit in its jaws. This includes nearly every tripod on the market, tree branches, furniture, stakes driven into the ground, vegetation, etc. The Plamp is designed to attach to your own tripod but it is often handy to attach it to a second tripod so that you are free to move your tripod around without affecting the subject. Plamp, a nice strong holding tool, made from Loc-line modular flexible arm material. The "spring clamp" jaws do a great job at attaching the thing to a tripod for use outside. Plamps are very useful to hold reflectors as well -- clamping a Plamp to the tripod is a good way of transporting it between potential subjects if you're using them for field macro. Plamp If you’re looking for a truly budget way to enter the world of macro photography, look no further. Available in a wide variety of filter thread sizes and mount fits, this simple metal ring allows you to reverse-attach any optic with a matching thread size to your camera’s body. The helping hands I've seen are all made out of bright shiny metal so you'll have to watch out for reflections.

Wimberley Professional Photo Gear - The Plamp II - Tripod Head Wimberley Professional Photo Gear - The Plamp II - Tripod Head

A helping hand repurposed from the world of soldering to the world of photography. A cheap and cheerful diffuser holder, but you can of course also use one of these to mount your specimens. The rotation joints at the ends are a bit fiddly to adjust mid-flow, and I removed the magnifying glass as it just gets in the way. Extension tubes are designed to enable a lens to focus closer than its standard minimum distance. This has the effect of magnifying a subject so that it appears larger, both in the viewfinder and in resulting images, thereby allowing almost any lens to be used for close-up work without losing any optical quality. The Plamp. It’s a clamp, for plants. Along with having the best name of any photographic accessory on the market, Wimberley’s Plamp II is the ideal tool for stabilising wind-blown macro subjects such as wildflowers.Reveal a world of hidden detail like never before. Matt Higgs rounds up 11 accessories ideal for the macro enthusiast… Secondly, like anything else made of plastic, it does have a useful life span that will be shorter than something made of metal. Your Plamp will loosen up after many uses. How much of a problem is this for you? That depends on how frequently you use it. My plamp is still stiff as a board. If you use yours a couple of hundred time, yes, it may loosen up to the point where you'll have to get a replacement. The general vibes of watching a livestream from quarantine, often while partying at home, stemming from the recurring presence of plants & lamps on DJ livestreams.

11 Marvellous Macro Photography Accessories | Wex Photo Video

So we make do, and repurpose other objects to achieve our goal. There are a couple of ways I go about it myself, but no doubt there are plenty of other (better!) ways.For what its worth, I have had some success combining the Plamp with "chenille" from craft supply stores; what we used to call "pipe cleaners". I use the Plamp to hold the chenille, then carefully wrap the chenille around the the plant stem or whatever. Frankly, this doesn't fully solve the vibration problem, but it is easier to reposition the flower (or whatever) than having to move the articulated segments of the Plamp. I also found that even the small clamp on the end of the Plamp would tend to crush non-woody stems, and I don't like doing that. So the chenille avoids that problem as well. Apply pressure to the sides of the green clamp at the end of the arm. This will open the jaws of the clam. Slide the stem or leaf of your subject between the clamp's jaws, let go.To grasp a particularly delicate plant leaf or flower petal you can make the jaws of the Plamp softer and flatter by inserting a folded piece of heavy paper betwee the jaws of the clamp. If you are having a hard time positioning the Plamp so that the green clamp is not in the picture frame you may want to wrap a loop of grass around your subject to steady it. Alternatively, you may want to use a forked branch or twig with a bud to prop up your subject. You can also use a selection of household items such as rubber bands, string, pipe cleaners and twist ties instead of grass and twigs. Take control of harsh daylight with this compact diffuser from Manfrotto. Reducing the intensity of light that passes through it by a stop, and spreading it for a softer look, the panel could also be used as a windshield for protecting delicate subjects. It's just one of those things, you'll need to have some widget or tool to hold up your diffusion or reflector in the field but there is a dearth of dedicated product for this purpose out on the market. Yes, it has a bit of a weird name, but it's a product that works really well. I have a couple: they hold up my diffusion inside in the studio and they keep windblown grass still when I'm working outside.

Support your flash, diffuser and more with an extreme macro

Have any friends who like to shoot macro too? If so, please share this review of the Wimberley Plamp II Macro Clamp with a friend or on your blog. plamp (n.) (combination of the words, "plant" and "lamp") (adj. plampy) (adv. Plamply/plampily) (v. plamping, to plamp) (sentence {v}: plamp it up!) A helping hand is a cheap little holding tool used in soldering that you can buy from any DIY or electronics hobbyist shop. I'm sure you can come up with your own creative uses for your plamp. these are just a few of the uses that have worked well for me. There are other options out there too. I bought the Wimberly Plamp II for two reasons. The segmented arm of your Plamp is approximately 19" long. If you do not need all this length, we encourage you to shorten your Plamp. To shorten the arm, bend the arm sharply until it snaps in two (do not worry, you will not hurt the Plamp), remove a length and reconnect the pieces.

Kenko's Auto Extension Tubes contain all the circuitry and mechanical coupling required to maintain autofocus and TTL auto exposure with most lenses, provided there is enough light. As they’re available in a wide variety of camera mount fits, there will very likely be one that works with your setup. Thread two or three pipe cleaners through a straw. Twist these together at one end and twist in another pipe cleaner. Twist a couple into the other end.